By the style I can see how my piece looks like. If I make a piece when I am broken, the piece looks different than when I have a very good situation, feeling good - Twice

We grew up in the west side and across the street we had a bridge and then we came down and we saw a wall full colour of wall, from MATT that is our king. Matt put a piece there together with 3 New York writers and then we were thinking ‘where are the drips? How can you spray these fucking tags?’ The wall was so amazing, we just sit there three times a week and study, study, study. Why this shit, why this background, why these figures. Why, why, why, why - Twice

THESIS ABOUT EUROPEAN GRAFFITI WRITERS WITH RENOK, HERO, PHILO, RAW, EDGE, LUTHER, HIROCK, MIRICS, MARS, TWICE, GEAR, SOME, REVS AND ASO.

Some trains are kind of worth more. When writers meet they talk about different trains and different train yards where they’ve been. When you meet a new writer, you always have some places or trains to identify with and talk around. Local trains are generally more worth painting. For example the old Dutch banana train (the yellow one floor train called ‘doggie’), the Spanish ‘mirror trains’, Berlin’s yellow subway, Southern Sweden’s purple trains or Danish’s old red S-train. People used to go to Copenhagen just to paint that one. [Aso – 26, Stockholm]



Master Thesis :

Behind the tag : A journey with the graffiti writers of European walls (Pdf file)

Author : Silvia Pietrosanti

MSc European Communication Studies

Graduate School of Communication

Amsterdam, June 2010

Source : UvA Scripties Online